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Journalist Mitchell Brown meets a tipsy woman at a bar and takes her to his house to spend the night because she is very drunk and cannot control herself. He looks for her documents, but finds only a checkbook with a strange number. The next morning the stranger disappears. Some time later, in the same bar, Mitchell meets her again in the company of a man who turns out to be her husband. She pretends not to recognize Mitchell. It turns out that there was a murder in the city that evening and she needs an alibi.

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这是万圣节，杜科布（Ducobu）又回来开启一场充满欢笑和神秘的冒险啦！拉图什（Latouche）教授和拉托（Rateau）小姐搬进了一所房子……这所房子被阿纳托尔（Anatole）的鬼魂所困扰，阿纳托尔是圣波塔什（Saint - Potache）学校历史上最大的笨蛋。这个爱恶作剧的鬼魂将带着杜科布、莱奥妮（Léonie）、他们的父母以及基特里什（Kitrish）陷入一连串既搞笑又意想不到的波折之中……

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Flaubert writes from the hero St Julian the Hospitaller: 'He knew that was hunting in some country since an indefinite time, through the very fact of his existence, as everything seemed to occur with the ease one experiences in dreams.' This film follows this dream and the indeterminacy of time, this action place, particular, we could outline this way: the metamorphosis of a child in a parricide, then from parricide in a saint. This action, Flaubert took it from 'The Golden Legend' and stained glasses in Rouen then made it a tale. The film replays the story and mainly follows Flaubert's text. The images's meaning, the more than musical's film structure, with Flaubert's text, is the one of a free loyalty, a correspondence.

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